About Kate

“It just takes one meticulously trained, disciplined and multi-

talented performer to make Kate Tombaugh’s  one-woman show

[It Just Takes One] a delightful study of a ‘young traveling opera

singer’s’ life as she pursues her career dreams and attempts to

find true love….”

 

 

“…Kate sings so magnificently, operatically,

comically (when called for) and with genuine depth of feeling…”

 

 

“…this musical  revue [is] such an enjoyable showcase for two

young women whose careers are staged to blast off.”

~Marcia Weiss, Reviewer, The Pantagraph on the show “It Just Takes One” 10-13

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“Mezzo-Soprano Kate Tombaugh was a delight as Meg Page.”

~Sarah Bryan Miller of the St. Louis Post-Dispatch; Winter Opera St. Louis; Falstaff 2-14

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“Kate Tombaugh, a mezzo-soprano with a beautifully clear

voice and fine acting ability, prevailed as the First Place Winner.

Her rendition of Sexy Lady (Moore) brought down the house…..”

~Comic Opera Guild; Harold Haugh Light Opera Competition, 2012

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        This season has seen Kate as “Rosina” in Rossini’s The Barber of Seville with the Santa Fe Concert Association (NM), as “Hansel” in Hansel and Gretel with Opera Omaha (NE), as “Meg Page” with Winter Opera St. Louis in Verdi’s Falstaff (MO), and as featured soloist with the Heartland Philharmonic in the State Farm 30th annual “Sounds of Christmas” concert, the Lexington Philharmonic in Mendelssohn’s A Midsummer Night’s Dream, and Jackson Symphony’s “Tchaikovsky Explosion” concert. She premiered her originally-conceived one-woman show “It Just Takes One” in October with Prairie Fire Theatre in Bloomington, IL.

     Upcoming performances featuring Kate include her portrayal of “Mary Magdalene” in a world premiere Easter cantata by composer Douglas Pew hosted by St. Thomas Episcopal Church (OH) and featured soloist and narrator in Manuel de Falla’s “El Amor Brujo” with Cincinnati’s Concert Nova in collaboration with Louisville Flamenco June 6, 2014.

     Kate has sung as a young artist with the Santa Fe Opera, Utah Opera/Utah Symphony, and the Opera Theatre of St. Louis. Additionally, she sang as a Stern Fellow at the LA-based Songfest and in the Opera Studio of the A.I.M.S Festival in Graz, Austria. Her experiences on the stage range from musical theater to operetta and opera, with a strong background in choral and oratorio literature.

     She has been a two-time Central District Winner in the Metropolitan Opera National Council Auditions; both times she received Third Place in the Central Regional Finals (2007; 2009). In January 2013, Kate made her Carnegie Hall solo debut upon winning the Barry Alexander International Vocal Competition. Additionally, she won the Harold Haugh Light Opera Vocal Competition in 2012, placed second in the Nicholas Z. Loren Vocal Competition, hosted by the Holland Chorale (2013), and was awarded the “Grace Keagy Award” by the NYC-based Kurt Weill Foundation in their annual Lotte Lenya Foundation (2012).

     Kate has been very involved in youth music education through directing youth choirs, teaching voice privately, coordinating and teaching music and drama courses, and performing in a multitude of outreach programs geared toward youth. She is a frequent recitalist and has an expansive interest in the varying styles and eras of composition. Concerts featuring Kate have spanned Bach and early music festivals to the premieres of newly-composed works.

     She is originally from a farm near Streator, Illinois and grew up on land that has been in the Tombaugh family for six generations. She considers her farm upbringing and heritage to be defining factors of her personality, as well as the experience of growing up in a musical and theatrical family. Her first experience on the stage took place at age 5 at the Engle Lane community theater just down the road, where she and her family spent most of their summers performing.

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